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THEPRODUCTIONOFOTHEROTHERS
Thecontradictionswithinpostmoderncinema'scelebrationof
differencecanbeseeninthewaythatatransmutedothernessemerges
withinparticularnarratives.InPredator2(1990)DannyGlovermoves
fromtheplaceof'blacksidekickwhousuallydiesfirst'tothatofblack
herowhosurvives.AtthesametimeasGlover'stextualliberationfrom
stereotypehoweverthepredatorisconstructedasanotherthatcarries
signifiersofblackness-its'hair'resemblingdreadlocksitsfigurethat
ofahunterorwarrior.SimilarlySigourneyWeaverin
Aliens(1986)
playsthegoodmothertothealienbadmother-bothprotectingtheir
children.Thelatterhoweverthehyperbolicfeminineisrepresentedas
drippingandoozingandcarryingsignifiersrepresentingthevagina
indentata.Thefilmalmostgivesitselfawaywhenthechild'mothered'by
Ripleyisgiventhename'Newt'-atouchofthealien.
BladeRunner(1982)presentsthetransmutationofdifferenceand
othernessinamorecomplexwaysettinghumansagainstcyborgs.One
canreadthefilmasoneinwhichthecyborgotherreproduceshumanity
atthepointatwhichthehumanracehas'lostit'.Howevertheemer-
genceofthecyborgtheunhumancanbereaddifferently.Cinemaand
otherpopularculturalformsofthe1980sand1990scontaineitherthe
fantasyof'leavingthemeat'(bo |
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